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村上春樹與文學(xué)獎(jiǎng)
日本文學(xué)獎(jiǎng)多，作家們也常拿這個(gè)來調(diào)侃。
2019-04-08
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澳大利亞華裔作家許瑩玲：我希望人們真正理解多樣性
黑發(fā)、齊劉海，交談時(shí)常常發(fā)出爽朗的笑聲，澳大利亞華裔作家許瑩玲（Julie Koh）給人的印象很親切。
2019-04-04
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誰是“沒有個(gè)性的人”？
19世紀(jì)末20世紀(jì)初在歐洲文學(xué)史上被稱為“世紀(jì)末”，人類社會(huì)的形態(tài)、生存方式在這一時(shí)期發(fā)生了翻天覆地的大變革，此時(shí)德語文壇上群星閃耀：卡夫卡、里爾克、托馬斯·曼……他們不僅為后世留下了名垂青史的文學(xué)巨著，而且也以其深邃的思考影響了一代又一代的知識(shí)分子，其中，羅伯特·穆齊爾堪稱奧地利文學(xué)人物中的佼佼者。
2019-04-03
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九十歲米蘭·昆德拉：用笑聲執(zhí)行他對(duì)時(shí)代的終審
2019年4月1日，是知名作家米蘭·昆德拉90歲的生日。
2019-04-02
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米蘭·昆德拉：偉大還是荒謬？
2019年4月1日，是捷克作家米蘭·昆德拉的九十歲生日。
2019-04-02
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妻子眼中的文豪帕維奇
塞爾維亞作家米洛拉德·帕維奇的名著《哈扎爾辭典》有陰陽兩個(gè)版本，而帕維奇的人生，其實(shí)也有一個(gè)“陰本”，那就是由他夫人雅斯米娜·米哈伊洛維奇講述的故事。
2019-04-01
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珀金斯：藏在海明威背后的男人
他總是戴著帽子，一頂七號(hào)大的灰色淺頂軟呢帽，哪怕在辦公室一個(gè)人看稿時(shí)也戴著。
2019-03-31
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抵達(dá)真實(shí)的時(shí)刻，“美”的感受就有了
當(dāng)我最美麗的時(shí)候 城市轟隆隆倒塌 從意想不到的地方 我看見了藍(lán)天 當(dāng)我最美麗的時(shí)候 照片中的她是宮崎則子（茨木則子），21歲，正當(dāng)“最美麗的時(shí)候”，還不是一位詩人。
2019-03-29
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法國作家卡特琳：別被外界的期待拘束了自己的人生
法國作家卡特琳·屈賽。
2019-03-27
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羅塞特與大江健三郎：我們的友誼“絕不簡(jiǎn)單”
巴尼·羅塞特是美國著名的獨(dú)立出版家之一，1951年他收購了格羅夫出版社，并將其打造成二戰(zhàn)后美國反主流文化的核心力量。
2019-03-25
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美食家歌德：在詩與真之外
1823年6月10日，三十一歲的愛克曼初次拜謁歌德，他在當(dāng)天的日記里寫道：“這是我有生以來最幸福的一天。
2019-03-22
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W.S.默溫譯者：面對(duì)自然，他更容易與東亞詩歌共鳴
3月15日，美國桂冠詩人W.S.默溫（William Stanley Merwin）在位于夏威夷的毛伊島家中去世，享年91歲。
2019-03-21
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曾拒絕過普利策獎(jiǎng)的美國詩人：他建議我向繆斯跪下祈禱
W.S.默溫（William Stanley Merwin），1927年9月30日出生于紐約。
2019-03-20
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怪作家：喜歡爛蘋果味道的席勒，站著寫作的納博科夫
【編者按】 即便對(duì)于那些看上去或的確才華橫溢的創(chuàng)作者，一件作品的誕生也不是那么順暢的。
2019-03-20
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激辯的紅唇——“桑塔格”是如何誕生的？
在生前，蘇珊·桑塔格就擁有了一大堆光彩炫目的榮譽(yù)頭銜：“坎普王后”、 “批評(píng)界的帕格尼尼”、“曼哈頓的女預(yù)言家”、“后現(xiàn)代主義先鋒作家”、“文壇非正式女盟主”、“大西洋兩岸第一批評(píng)家”等。
2019-03-18
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麥爾維爾誕辰200周年：他寫出了一個(gè)時(shí)代的“自我”
今年，正值麥爾維爾誕辰200周年，麥爾維爾的短篇小說集首次在國內(nèi)譯介出版，讓我們可以更全面地了解這個(gè)作家的精神世界。
2019-03-15
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在西歐人眼里，南斯拉夫遍地農(nóng)民，麗貝卡·韋斯特打破了成見
麗貝卡·韋斯特，英國記者，旅行作家，《泰晤士報(bào)》，《紐約先驅(qū)論壇報(bào)》，《星期日電訊報(bào)》和《新共和國》等作者，也曾為為女權(quán)雜志《自由女》寫書評(píng)，英國皇家文學(xué)學(xué)會(huì)本森獎(jiǎng)?wù)碌墨@得者。
2019-03-15
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2019澳大利亞文學(xué)周作家推介：理查德?費(fèi)德勒
Richard Fidler Richard Fidler is best known as the presenter of Conversations on ABC Radio, an in-depth, hour-long interview program that over the years has put him in the company of the world’s most prominent radio presenters. The program is the most popular podcast in Australia, with nearly four million downloads a month. He’s the author of two best-selling non-fiction books: Ghost Empire, which draws on his lifelong love of history and a journey with his son to tell the story of Constantinople; and Saga Land, co-written with Kári Gíslason, which grew from a radio program exploring the modern echos of Iceland’s traditional sagas, and was awarded the 2018 Indie Book Award for non-fiction. In another life Richard was a member of Australian comedy trio The Doug Anthony Allstars (DAAS), which played to audiences all over the world. Quote The arc of its lifespan is an awesome thing, touching the ancient world at one end and the Age of Discovery at the other. While western Europe struggled through the miseries of the Dark Ages, Constantinople blazed with light as a bastion of Roman law, Greek culture and Christian spiritualism. — The Ghost Empire Book Reviews Fidler's story leaves its readers with a sense of faith in the renewing, illuminating, social powers of historical narrative. The tale of the Ghost Empire has bridged the gap between a father and son, enriching the contemporary world with the echoes of the past. — The Sydney Morning Herald on The Ghost Empire Fidler has a knack for such cutting, weighty observation, at once light yet loaded with meaning and emotion. We already know he is an interviewer of great empathy; now we know he mirrors that skill on the page, too. — The Australian on The Ghost Empire 理查德?費(fèi)德勒，澳大利亞廣播公司著名主持人。
2019-03-12
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2019澳大利亞文學(xué)周作家推介：莫里斯?葛雷茲曼
Morris Gleitzman Morris Gleitzman is a bestselling Australian children’s author and the current Australian Children’s Laureate. He was born in England and emigrated to Australia when he was thirteen. He gained prominence through his columns in Australian magazines, and as a writer for popular television series, but true fame came with his writing for children, often focusing on uncomfortable or confrontational subjects in humorous and unexpected ways. His titles include Two Weeks with the Queen, Grace, Doubting Thomas, Bumface, Give Peas A Chance, Extra Time, Loyal Creatures, Toad Delight and the series Once, Then, Now, After, Soon and Maybe. Two Weeks with the Queen was adapted into a play which was produced around the world. Morris lives in Brisbane and Sydney, and his books are published in more than twenty countries. His books have won, among other awards, all of the Australian Readers Choice Awards voted for by children. Quotes Once I escaped from an underground hiding place by telling a story. It was a bit exaggerated. It was a bit fanciful. It was my imagination getting a bit carried away. It was a lie. — Once, Morris Gleitzman Book Reviews A resonant shot to the heart—Gleitzman delivers a sharp sense of what it must have been like to be a child during the Holocaust, forced to grow up far too quickly. — Kirkus Review on Once It's gentle, and humane, and ordinary, Once, even though its subject is the violent, the inhumane, and the twisted. Readers, child and adult alike, will fall in love with Felix and Zelda, the little girl he takes under his wing, and whose catchphrase is Don't you know anything? It gives dignity where once it was taken away. — Bookbag on Once 莫里斯?葛雷茲曼是澳大利亞暢銷童書作家，也是現(xiàn)任“澳大利亞童書大使”。
2019-03-12
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2019澳大利亞文學(xué)周作家推介：許瑩玲
Julie Koh Julie Koh (許瑩玲) was born in Sydney to Chinese-Malaysian parents. She studied politics and law at the University of Sydney, then quit a career in corporate law to pursue writing. She is the author of two short-story collections: Capital Misfits and Portable Curiosities. The latter was shortlisted for the Readings Prize for New Australian Fiction, the Steele Rudd Award in the Queensland Literary Awards, the UTS Glenda Adams Award in the NSW Premier’s Literary Awards, and the Australian Science Fiction Foundation’s Norma K Hemming Award (Long Work). Julie was named a 2017 Sydney Morning Herald Best Young Australian Novelist. She was a judge for the 2018 Stella Prize. Her short stories have appeared in a wide variety of publications including the Best Australian Stories in 2014 to 2017. Her fiction has been published in the United States, Ireland, Japan, Malaysia and Singapore. Julie is the editor of BooksActually’s Gold Standard, the librettist for satirical opera Chop Chef, and a founding member of experimental literary collective Kanganoulipo. （Photo Credit to Hugh Stewart） Quote I see two things at once. My regular eyes see a lizard about the length of my forearm, its chest expanding and contracting as it breathes. But my other eye sees a little grey boy. His belly is swollen and he looks at me with saucer eyes. — Portable Curiosities, Julie Koh Book Reviews ‘The Australian writer’s new work, Portable Curiosities, is a collection of whip-smart satirical tales that are as painfully funny as they are uncomfortably timely. … It’s perfect for our busy, scary times: easily digestible and, for all its madcap imagination, utterly true.’ — Guardian Australia on Portable Curiosities ‘Koh is a gifted satirist … Humour, weirdness, and social critique characterise almost all of the stories in this clever and highly original collection.’ – The Sydney Morning Herald on Portable Curiosities 許瑩玲（Julie Koh）在悉尼出生，父母是馬來西亞華裔。
2019-03-12
